RAD DAD
Edited by Tomas Moniz & Jeremy Adam Smith (microcosm) (pm press)

The Rad Dad book is a greatest hits package of the zine Tomas Moniz has been publishing for going on twenty issues now. It’s written for men who may be struggling with all the complexities of being a father in this or any age. The book is broken up into sections: "Birth, Babies, and Toddlers," "Childhood," "Tweens and Teens," and "Politics of Parenting." The last section of the book features interviews with rad dads like hip hop writer Jeff Chang (Can’t Stop Won’t Stop) and Ian McKaye (Minor Threat, Fugazi, The Evens, Dischord Records). I am most certainly rad but not a dad, so I haven’t read every article and essay in this book, but some are interesting regardless of your parental status ("Notes From a Sperm Donor" for example). If, however, you have achieved fatherhood and are looking for advice find comfort in the fact that you can turn to the pages of Rad Dad, now in handy book form.

Al Burian is back for another issue of Burn Collector. BC #15 finds Al living in Berlin. Like always, Al shares his thoughts and observations on life in his newly chosen city, but before that he needs to deal with a searing toothache that sends him immediately to the streets in search of a dentist. After an aborted first attempt at the dental office in the building he lives in, Al finds a caring, gentle soul who is willing to ease his pain. She of course disproves of Al's lack of preventive dental maintenance. Al returns later to plead poverty to the woman, who he hopes will fall in love with him and forgive his debt to her. Doesn't happen.

Also in this issue, Anne Elizabeth Moore contributes a piece, "When You Realize the Freedom" (title courtesy of a Hasselhoff lyric) on the selling of the Berlin Wall (more literally than figuratively). There’s an interview with fellow zine-maker and ex pat Liam Warfield on living in Berlin. Al also reviews various things like Berlin’s Tegel Airport, books on writing (Ernest Hemingway, Stephen King), people (Ronnie James Dio) as well as various records, squats and Germany’s May 1st holiday.

Always good to check in. No comics though? What's up with that, Al?

DREAM WHIP
#1-10
Bill Brown (Microcosm)

Dream Whip is an unabridged compilation of Bill Brown's long-running zine of the same name. Seems like Bill did a lot of traveling between 1994 and 1999 and his zine chronicles that time on the road. DW is filled with short pieces, both fictional and nonfictional observations, comics, drawings and tidbits cut out of local newspapers and tourist brochures. The writing style can come off sounding like that of a freshman writing student at times. It suffers from simile overload in places and it seeks to flatter Beat writers in its imitation, but that's likely a result of a young writer trying to find a voice of his own. There's much improvement by issue number ten which Bill instructs readers to treat as a road map of his travels from Texas to Canada and back again.

HEY HEY LONESOME
Adam Gnade (Punch Drunk Press)

This novella, by author and musician Adam Gnade, is intended to introduce readers to the characters that will appear in Adam’s forthcoming novel. It's a prequel, if you will, that follows the characters around San Diego in the hours leading up to a party where all of their paths will cross. It is at this point that the novel (finished but as yet unpublished) will begin. Hey Hey Lonesome is a part of a series of fiction and music that loosely ties together various characters through songs and stories. The work is intended to convey a picture of contemporary American life the way American Graffiti portrayed life in the early 60s or more recently Dazed and Confused in the mid 70s. Similarly, the characters in Hey Hey Lonesome are young, shiftless, in or out of love, bored, under the influence, or all of the above. Adam's prose style even reads like a script at times. The viewpoints of the characters are first person and we hear their inner monologues, but the scenes and action are described like stage directions, sometimes parenthetically. It is unclear at this point how the characters' lives will intersect and how they will interact with each other, but the scene has been set for the full story to begin. Stay tuned.[adamgnade.com]

Jake Austen is a dance show host, freelance writer, puppeteer, rocker and publisher of the zine Roctober, Jake has been an important and busy part of Chicago's musical culture. So we figured we'd ask him a few questions about 20 Years of Roctober and other things. Read the Interview!

AN INTERVIEW WITH
PHILLIP K. DICK EXPERT
DAVE GILL

I first met Dave Gill in the fall of September 1990. We both worked at a small marketing firm in Chicago where we were responsible for the printing, sorting and mailing of thousands of questionnaires to Sears customers who'd recently received delivery of appliances. At the time, I was a student at DePaul University studying communication (radio, television and film), and I'd just spent the summer on hiatus slumming it at the Mayor's mansion in Tomales, California, but that's another story... Fast forward twenty years to Chicago, late one October night in 2010, when my phone rang: it was the Reglar Wiglar with an assignment to interview Dave for the RW website. The reason; it seems that Dave has become somewhat of an expert on Science Fiction writer Philip K. Dick. In fact he is employed as a Full-time Lecturer in the English/Composition Department at San Francisco State University where he teaches Dick's classic Do Androids Dream of Electric Sheep? (1968) and where he also completed his Master's thesis on Dicks and his 1959 novel, Time Out Joint. Dave is also the publisher and editor of the Total Dickhead blog devoted to all thing Dickian.

THE EAST VILLAGE INKY #48
by Ayun Halliday (EVI)

One-time member of the Chicago Neo-Futurists theatre company, Northwestern grad, writer of several books, zinester and native Hoosier, Ayun Halliday is now the proud publisher of forty-eight issues of The East Village Inky. EVI was begun when Ayun and husband Greg Kotis (Urinetown, look it up!) lived in an East Village apartment. Now in Brooklyn with two children, she continues to produce this hand drawn, handwritten and hand-laid-out zine. This is my first encounter with EVI and just my luck, it’s also the first ever music issue, and I like music. In this forty page mini, Ayun recounts tales of her musical listening history touching upon early influences from grade school through high school, college and beyond. I must admit, I do not have much in common with Ayun as far as musical tastes (Todd Rundgren is the zine’s centerfold for example), but I won’t dwell on that. What I can relate to is the joy of making and receiving mix tapes and I agree that movie soundtracks are good ways to discover new music that is often old music. I enjoyed the section in which a smattering of “hip” Brooklyn teens are interviewed about what they're listening to. They seem to have pretty developed musical tastes, which is either due to living in Brooklyn, their parents, the accessibility of music on the Internet or all three—the perfect storm for "hip" in this modern age, I suppose.

EVI reads like a conversation you're having with a friend you haven’t seen in a while and you only have a short time to talk. A lot gets crammed in, topics change quickly and sometimes you lose the thread of the converation for awhile but your friend is so happy to fill you in that you really don't care.

THE CIA MAKES SCIENCE FICTION UNEXCITING #6
The Life of Lee Harvey Oswald by Abner Smith (microcosm)

Two thousand and eleven marks the 10th anniversary of Microcosm's CIAMSFU series. This is the first one I've read, so I'm only a decade behind at this point. Issue number six is a short bio of Kennedy assassin, Lee Harvey Oswald. Using declassified government documents, writer Abner Smith constructs Oswald's life from his troubled childhood in New Orleans through his troubled military career to his troubled time in the Soviet Union (and his unsuccessful attempts at defection) and his troubled marriage to a young Russian woman. Seems like Oswald was a bit troubled—a loose nut, probably not to be trusted as a spy or double agent. He was more likely than not, just a disillusioned wanna-be revolutionary and hardly someone the government would want to work with in the assassination plot of one of the most powerful men in the world. Yet something doesn’t quite fit and this is the CIA were talking about here. If you lean even slightly toward conspiracy theories regarding this pivotal part of American History, then the ultimate objective was achieved and we know Oswald didn't spill his guts. Well...

An interesting read for sure, but Smith doesn't necessarily shed a lot of light on the subject for me. His writing style is a little clipped and he could have probably benefited from an editor to help organize his thoughts a little better, but this a zine not a graduate thesis so that's a gripe not a dis. It is amazing the things the CIA/FBI and the US Government think they can get away with. What would probably be even more amazing, are the things they have gotten away with that we'll never know about.

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